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A A Cappella: Selected and New Poems

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These poems employ the short lyric as it derives from the haiku tradition. Through progressions of image clusters, anne mckay captures states of experience that elude the conscious mind: \but young / was there / . . . and heat / hung with scarlet hurry / and gates forgotten / under sly and hunting moons / of summer hurting.\ A high point of the collection is the sequence c These poems employ the short lyric as it derives from the haiku tradition. Through progressions of image clusters, anne mckay captures states of experience that elude the conscious mind: \but young / was there / . . . and heat / hung with scarlet hurry / and gates forgotten / under sly and hunting moons / of summer hurting.\ A high point of the collection is the sequence celebrating the life and paintings of Georgia O\'Keeffe.


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These poems employ the short lyric as it derives from the haiku tradition. Through progressions of image clusters, anne mckay captures states of experience that elude the conscious mind: \but young / was there / . . . and heat / hung with scarlet hurry / and gates forgotten / under sly and hunting moons / of summer hurting.\ A high point of the collection is the sequence c These poems employ the short lyric as it derives from the haiku tradition. Through progressions of image clusters, anne mckay captures states of experience that elude the conscious mind: \but young / was there / . . . and heat / hung with scarlet hurry / and gates forgotten / under sly and hunting moons / of summer hurting.\ A high point of the collection is the sequence celebrating the life and paintings of Georgia O\'Keeffe.

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