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Artworld Prestige: Arguing Cultural Value

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Why does the artworld often privilege one cultural form over another? Why does it grant more attention to reviews in, say, Artforum over ARTnews? And how can an artist once hailed as visionary be dismissed as derivative just a few years later? Exploring the ever-shifting estimations of value that make up the confluence of artists, critics, patrons, and gallery owners known Why does the artworld often privilege one cultural form over another? Why does it grant more attention to reviews in, say, Artforum over ARTnews? And how can an artist once hailed as visionary be dismissed as derivative just a few years later? Exploring the ever-shifting estimations of value that make up the confluence of artists, critics, patrons, and gallery owners known as the artworld, Timothy van Laar and Leonard Diepeveen argue that prestige, a matter of socially constructed deference and conferral, plays an indispensable role in the attention and reception given to modern and contemporary art. After an initial chapter that develops a theory of prestige and the poignancy of its loss, the book looks at how arguments of prestige function in systems of representation, various media, and art's relationship to affect. It considers twentieth-century artists who moved not away from, but toward figuration; looks at what is at stake in the recurrent argument about the death of painting; examines the decline and an apparent return of sensual pleasure as a central attribute of visual art; and concludes with a look at the peculiar function of prestige in outsider art. Illustrated with artwork by David Park, Jorge Pardo, Gerhard Richter, Anish Kapoor, Cecily Brown, Howard Finster, and others, Artworld Prestige provides an engaging guide to the changes, debates, and shifts that animate aesthetic judgments.


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Why does the artworld often privilege one cultural form over another? Why does it grant more attention to reviews in, say, Artforum over ARTnews? And how can an artist once hailed as visionary be dismissed as derivative just a few years later? Exploring the ever-shifting estimations of value that make up the confluence of artists, critics, patrons, and gallery owners known Why does the artworld often privilege one cultural form over another? Why does it grant more attention to reviews in, say, Artforum over ARTnews? And how can an artist once hailed as visionary be dismissed as derivative just a few years later? Exploring the ever-shifting estimations of value that make up the confluence of artists, critics, patrons, and gallery owners known as the artworld, Timothy van Laar and Leonard Diepeveen argue that prestige, a matter of socially constructed deference and conferral, plays an indispensable role in the attention and reception given to modern and contemporary art. After an initial chapter that develops a theory of prestige and the poignancy of its loss, the book looks at how arguments of prestige function in systems of representation, various media, and art's relationship to affect. It considers twentieth-century artists who moved not away from, but toward figuration; looks at what is at stake in the recurrent argument about the death of painting; examines the decline and an apparent return of sensual pleasure as a central attribute of visual art; and concludes with a look at the peculiar function of prestige in outsider art. Illustrated with artwork by David Park, Jorge Pardo, Gerhard Richter, Anish Kapoor, Cecily Brown, Howard Finster, and others, Artworld Prestige provides an engaging guide to the changes, debates, and shifts that animate aesthetic judgments.

20 review for Artworld Prestige: Arguing Cultural Value

  1. 4 out of 5

    Lauren Albert

    Have you ever wondered why theory has come to play such a central role in contemporary art? Why painting has fallen in importance as media like video and performance have risen? I was thrown back to my years as a doctoral student. The word then--tellingly--was "sexy." Some journals were sexy and some were not. Some theorists were sexy and some were not. Diepeveen and Van Laar's work on prestige in art can be applied to a lot of intellectual fields, I'm certain. Fascinating reading and astute ana Have you ever wondered why theory has come to play such a central role in contemporary art? Why painting has fallen in importance as media like video and performance have risen? I was thrown back to my years as a doctoral student. The word then--tellingly--was "sexy." Some journals were sexy and some were not. Some theorists were sexy and some were not. Diepeveen and Van Laar's work on prestige in art can be applied to a lot of intellectual fields, I'm certain. Fascinating reading and astute analysis.

  2. 5 out of 5

    Diane

  3. 4 out of 5

    John

  4. 4 out of 5

    Shay Reilly

  5. 4 out of 5

    Gregory

  6. 4 out of 5

    Lauren

  7. 4 out of 5

    Jason Manford

  8. 4 out of 5

    Brenton

  9. 5 out of 5

    BespectacledBookGirl

  10. 5 out of 5

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  11. 5 out of 5

    Jude

  12. 4 out of 5

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  13. 4 out of 5

    Kevin McDonagh

  14. 4 out of 5

    Courtney Bachrach

  15. 4 out of 5

    Alex

  16. 5 out of 5

    Dan Dixon

  17. 5 out of 5

    Christine

  18. 4 out of 5

    Stephanie

  19. 4 out of 5

    Sabrina Hughes

  20. 5 out of 5

    Madi Vander Ark

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